In
the cabin where she grew up hangs a picture her mother painted before
she left. Lillian always felt there was a message in this painting, some
kind of signal to explain what went wrong. She’d study it with her eyes
and follow the ridges with her fingers, feeling for a language like
brail. The painting is of a leveled landscape, gnarled with trees and brush.
The greens and browns and yellows and blues all come together in
intricate, frenzied knots. The only thing that makes sense about the
painting are the little vertical strokes of green you can see jutting
out of the rubble in lines swaying up and down over the undulating land
in a tight grid across the canvas. “Baby trees,” Lil’s father said when she asked him what they were. She was eleven years old. Like
me, Lil thought. And she was right. For out of a complicated mess, out
of the destruction of the forest before, Lil took root, and in the
sunshine that bears down on emptiness, grew up strong.
"For out of a complicated mess, out of the destruction of the forest before, Lil took root, and in the sunshine that bears down on emptiness, grew up strong."
ReplyDeleteBeautiful.
Glad to see you back. Seems like we were on a similar hiatus!
Oh ya. Very similar it seems:)
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